While it may not be obvious at first glance, a key theme to the pastel and phallus-infused work of Horacio Abdala Zarzur is humanity’s ever-enduring search to d...
Although there’s a good chance that egotistical romanticism will end up being a necessary evil for the survival of honest art in our Fake News, post-fact, Macri...
This is the final installment of a 4-part series. You may read the first, second, and third installments here.
After almost two years, nearly 50 events, and ...
This is the third installment of a 4-part series. You may read the first and second installment here.
On a chilly afternoon four-days before the cultural cente...
This is the second installment of a 4-piece series. You may read the first installment here.
A chilly late May has transitioned to a cold early June, and Cul...
Author’s Note
Buenos Aires has often been described to me by friends and family as a surprisingly binary world, in both form and function. In crude terms, an...
B.M. Bresnahan is a freelance photojournalist and occasional attorney. A former contributor to The Argentina Independent (R.I.P.), he recently returned from the United States where he spent the last year defending child migrants in their deportation proceedings. He focuses on the intersection of art, culture, and social justice in Buenos Aires.
